CHORUS DESIGN BLOG
WELCOME TO OUR BLOG. Along with sharing our insights into graphic design, marketing and advertising, we'll discuss what we've been up to and what blows our hair back. Hope you enjoy it!
Chorus Design is an Australian graphic design agency with offices in Sydney and on the Central Coast of New South Wales. We specialise in publication design, business marketing collateral and brand identity design and help our clients tailor and deliver their most important messages to their customers.
01 August, 2008
Like almost every other phone I've had in the last five years, my new iPhone is full of lame ringtones. What's wrong with phone manufacturers that they can't at least give us one normal ringtone. Anyhow, I went on a quest to find a decent mobile ringtone and came up with the ringtone that Apple had as a part of their ad for their first gen iPhone aptly called cellphone ringing. So if you want a regular ringtone for your iphone, control click or command click (mac) this link to download it as an m4r file. Then just open it up in iTunes.
Autumn Whitehurst

Well, what can I say about Autumn Whitehurst? Her work is stunning. The campaign she worked on for Monaco is so gobsmackingly beautiful. I'm sure you'll agree. She has a great collection of work.
31 July, 2008
Looking at Things

If you're working on a Mac or have an iPhone you should check out an application called Things. With iPhone and desktop sync on the way (can't wait for that), Things is the todo application that should've been a part of a Mac out of the box. Based on the Getting Things Done way of working, Things helps you prioritise you're tasks into what needs to be done today, next and someday and lets you schedule tasks to appear at a later date. You can tag tasks for easy sorting and organise tasks into projects and areas. Check it out for yourselves. It's a great way to stay on top of your workload.
11 February, 2008
James Jean rules
A visit to James Jean's blog is most certainly worth your time. He works as a multi award winning comic book and editorial illustrator but has also been producing some seriously stunning personal work. You can get hold of one of his open edition prints for around $50 or more for his limited edition prints – although there aren't many left. Good luck if you can get hold of a copy of one of his books too. Both are amazing and both out of print a couple of times over. I'm looking forward to getting hold of one of his prints very soon. I can't resist.
06 December, 2007
New Multiforte website
Recently we completed the new Multiforte website. Multiforte are a fee for service financial planning company. This means that they don't take commissions and can give you independent advice you can trust. Check them out if you need some help.
16 July, 2007
Draw As You Snore
We've just uploaded a new site we created for Draw As You Snore. They provide a way for Australian advertising agencies to get their storyboards drawn overnight. Check them out.
28 June, 2007
Jose Parla

Recently I went to the Monster Children Gallery here in Sydney and saw the work of Jose Parla. Truly breathtaking stuff. If you ever get the chance to see his work first hand, do it. There's a great video on his website which shows his thinking and execution. A true artist.
02 May, 2007
Max Communications website
We've recently completed a small website project for Max Communications. Drop by and take a look.
20 March, 2007
Enfant Terrible!
Check out this great new children's t-shirt range from Enfant Terrible. The shirts were designed by Mike Lind, an award winning advertising art director. The theme is fun and cheekiness. The images were shot by Nick Scott and we put the site together.
The site is live and ready for you to cover your tike in some great new threads.
The site is live and ready for you to cover your tike in some great new threads.
07 November, 2006
What makes a good magazine cover?
Most magazines in Australia are purchased from newsagents, general stores and supermarkets and compete visually for the readers attention and dollars. So the cover has to be designed well to grab them.
Magazines exist for all types of subject matter and their covers need reflect their content and identify with the reader. Architecture magazines will generally have a building on the cover, a fashion magazine will have a person on the cover and a motorbike magazine will have a bike on the cover.
They say not to judge a book by it's cover, but for magazines, that's just what happens. Readers scan the cover for a glimpse of what's inside. So... the single most important thing is that the cover must be engaging. When you look at a magazine it must say, "pick me up now!" So what makes a magazine cover engaging?
The first thing is imagery. It must show the most fascinating, visually attractive image available (which is relevant to the issue's content). While some magazines (especially business magazines) have only type or illustrations on their covers, photography is by far the most used attention grabber.
The quality of photography and composition can make or break a magazine by helping or hindering sales. If you walk into a newsagent and take a look at the magazines available, you'll notice that the most popular subject on the covers are people. Why? Because it works.
There a few winning tips when it comes to having people on the cover. Eye contact is a must. The eyes are the window to the soul and can convey feelings and engage you. It's a good idea to keep the subjects head towards the top so that they peer above the magazine in the row below it.
Every magazine should have an easily identifiable masthead so the reader can quickly find the magazine they enjoyed last time. Well constructed and interesting cover lines are also very important. These cover lines should show a strong use typography which does not work against the imagery but supports it.
It's important also to have a strong use of colour. The use of colour can help convey the tone of the content. You'll find that black and white covers, or those that are dark, adopt a more serious tone. For some reason, a lot of green is a sales killer. We've heard this from others and we've seen it happen first hand.
Each title has their own combination of things that work on covers. After a bit of trial and error and market research, the designer and publisher can further narrow this down to a signature style which is repeated to ensure success. Some aim to be titillating. Some aim to be ultra stylish. Much of it depends on the tone and the audience you're trying to capture.
Magazines exist for all types of subject matter and their covers need reflect their content and identify with the reader. Architecture magazines will generally have a building on the cover, a fashion magazine will have a person on the cover and a motorbike magazine will have a bike on the cover.
They say not to judge a book by it's cover, but for magazines, that's just what happens. Readers scan the cover for a glimpse of what's inside. So... the single most important thing is that the cover must be engaging. When you look at a magazine it must say, "pick me up now!" So what makes a magazine cover engaging?
The first thing is imagery. It must show the most fascinating, visually attractive image available (which is relevant to the issue's content). While some magazines (especially business magazines) have only type or illustrations on their covers, photography is by far the most used attention grabber.
The quality of photography and composition can make or break a magazine by helping or hindering sales. If you walk into a newsagent and take a look at the magazines available, you'll notice that the most popular subject on the covers are people. Why? Because it works.
There a few winning tips when it comes to having people on the cover. Eye contact is a must. The eyes are the window to the soul and can convey feelings and engage you. It's a good idea to keep the subjects head towards the top so that they peer above the magazine in the row below it.
Every magazine should have an easily identifiable masthead so the reader can quickly find the magazine they enjoyed last time. Well constructed and interesting cover lines are also very important. These cover lines should show a strong use typography which does not work against the imagery but supports it.
It's important also to have a strong use of colour. The use of colour can help convey the tone of the content. You'll find that black and white covers, or those that are dark, adopt a more serious tone. For some reason, a lot of green is a sales killer. We've heard this from others and we've seen it happen first hand.
Each title has their own combination of things that work on covers. After a bit of trial and error and market research, the designer and publisher can further narrow this down to a signature style which is repeated to ensure success. Some aim to be titillating. Some aim to be ultra stylish. Much of it depends on the tone and the audience you're trying to capture.
